“Fix it in post!” That’s such a common phrase in the film
industry. People don’t like to hear it
because it usually means something went wrong while shooting. That can be true, but it’s not always
true. As an editor in NYC for many
years, I’ve noticed one thing is soooo, sooo, sooo true: you can fix A LOT in
post!! Maybe not absolutely everything,
but A LOT. On top of that, every year
that goes by, that list of what you can fix keeps going up and up and up. I thought this would be a good time to
discuss ways to tweak issues easily in post, whether these issues came about
intentionally or were actual mistakes:
1) Size: Sometimes you decided after
seeing the dailies that a shot is too wide.
Maybe something was at the edge of the frame you wanted to lose. Want to fix it in post? No problem, just zoom in on the frame using
your editing software. Now that we have
4k and HD, as long as you don’t go too far in, no one will even notice.
2) Speed: We have a really cool shot
(spoiler alert!) of Mac’s boot in our full The
Hunter’s Anthology: Prologue. As you
will see when it is posted, it’s a very specific and hard to set up kind of
shot. The slightest movement could ruin
everything. This is mostly because three
things have to happen here: a camera tilt, a rack focus, and the timing of the
boot itself. If anything goes wrong, the
whole shot becomes unusable.
Due to this, we had a lot of takes
and only one chance to do it. It was our
first shot, and the precision necessary for it was holding everything up. So in post I took the best focus (because
that is one thing that you really can’t fix), sped up the movement and focus of
the skyline, which was too slow, then slowed down the speed of the boot’s step,
which was too fast! Suddenly, poof, just
as I imagined! Check this off as a
definite “fix it in post” event.
3) Shakiness: Another challenge was,
due the type of permit we had to shoot in NYC, we always planned we’d go
handheld the entire way. No tripod
allowed. Because of our budget, we
didn’t have proper permission to use one.
Most shots were fine, but it’s inevitable that the director of
photography was going to lose some stability after 12 hours of shooting with a
heavy camera in what feels like 5 degree weather all night. So, in order to use some of the shakier
takes, the “Smoothcam” filter for whatever editing software you’re using (in my
case Final Cut Pro 7) can fix this.
4) Not enough shots: Sometime after
shooting something, even after hours of prep, I realized we didn’t have enough
visuals to cover our 4 page or so long voiceover. To be fair, my DP did warn me of this. Luckily, he knew to grab random shots here
and there between takes to save my butt.
But as far as fixing in post, another thing I did was cover some space
with a shot I found before a take. You’d
never know it, but one of my longest shots (and one of my favorites) was shot before
I even said action! Can you find
it? Hint, it’s in the trailer: https://t.co/1z8GmJlorc
5) Color Correction Perfection: Another
thing I wanted to do was shoot a lot of random shots of the city to get us in
the mood at the beginning of the prologue.
I wanted to set the mood of New York City at night, so my goal was to
get skyline and street shots. We really didn’t
get enough of this. Again, it was
freezing, and we quickly decided that since we had our actor one day, we had to
shoot all his takes, then save city shots without him for later. By then we were done, and planned another day
to just do that. It was probably a good
idea. The crew was ready to call me a
demon and kill me, and with David Lee McInnis all decked out as Mac carrying a
stake, I didn’t want to test the theory.
Anyway, long story short, when we
were ready to do the extra shots another day, we realized it would be a lot
cheaper to use a different camera for it.
Yes, some shots in the teaser,
http://youtu.be/Fcz5yHa4d9I, trailer,
and prologue are not even from the same camera as the main shoot. And trust me, it looked very different at
first! How did I fix this in post? Color correction. It’s absolutely amazing what you can
manipulate while not being a professional color corrector. I did that in Final Cut Pro 7 as well, and
all professional editing software programs will do the same for you. So that’s what I did: I manipulated how much blue and red was in
all the shots. The brightness, the
shading, the saturation, everything you
can think of… I matched it Once again, FIXED
in post!
6) Stock footage. Another quick fix you can only do in post is
using (and usually buying) stock footage.
We didn’t have a shot of the skyline.
I wanted one so bad. I felt it
was essential to open up with a strong shot of us looking at a far view of the
city at night. We had plans for
different spots. But no, no… no way. A helicopter shot?! We didn’t shoot it… but we BOUGHT it!!! Yup, stock footage all the way. I’m telling you, it looks like it came from
the same camera! Amazing what you can
do.
So there you go. Take it from an editor, you CAN fix it in
post… unless you royally screwed it up.
If you royally screwed it up… hey, you’ve got reshoots. There’s always that.
If I just stopped one person from
panicking that there’s nothing they can do to fix the film they just shot, then
I’ve done my job. Remember, us
filmmakers aren’t quitters. Take my
advice: fix it in post!
Please don’t forget to follow The Hunter’s Anthology here:
Official
Facebook page: www.facebook.com/Thehuntersanthology
Twitter:
@HunterAnthology
No comments:
Post a Comment